“There is no philosophy without virtue; there is no virtue without philosophy,” said Seneca,(1820) and herein he expressed truly the most earnest thought of his own age and the next. Lucian, in the dialogue which is perhaps his most powerful exposure of the failure of philosophy, bears testimony to the boundless expectations which it aroused in its votaries. Hermotimus, the elderly enthusiast, whom the mocker meets hurrying with his books to the philosophic school, has been an ardent student for twenty years; he has grown pale and withered with eager thought. Yet he admits that he has only taken a single step on the steep upward road. Few and faint and weary are they who ever reach the summit.(1821) Yet Hermotimus is content if, at the close of the efforts of a lifetime, he should, if but for a moment, breathe the air of the far-off heights and look down on the human ant-hill below. Such spirits dream of an apotheosis like that which crowned the hero on Mount Oeta, when the soul shall be purged of its earthly passions as by fire, and hardly a memory of the illusions of the past will remain.(1822) Lycinus, his friend, has once himself had a vision of a celestial city, from which ambition and the greed of gold are banished, where there is no discord or strife, but the citizens live in a deep peace of sober virtue. He had once heard from an aged man how any one might share its citizenship, rich or poor, bond or free, Greek or barbarian, if only he had the passion for nobleness and were not overcome by the hardness of the journey. And the sceptic avows that long since he would have enrolled himself among its citizens, but the city is far off, and only dimly visible. The paths which are said to lead to it run in the most various directions, through soft meadows and cool shaded slopes, or mounting over bare rough crags under a pitiless blaze. And at the entrance to each avenue there is a clamorous crowd of guides, each vaunting his peculiar skill, abusing his rivals, and pointing to the one sure access of which he alone has the secret key. A similar scene, equally illustrative of the moral ferment of the time, is sketched in another charming piece.(1823) It is that in which the rustic Pan, with his memories of the shepherd’s pipe and the peace of Arcadian pastures, describes the strange turmoil of contending sects which rings around his cave on the edge of the Acropolis. There, in the Agora below, rival teachers, with dripping brow and distended veins, are shouting one another down before an admiring crowd. And the simple old deity, to whom the language of their dialectic is strange, seems to think that the victory rests with the loudest voice and the most blatant self-assertion.