With the autumn number of _Art and Letters_ the periodical completes its fourth publication since the beginning of the new series. _Art and Letters_ was first published in July, 1917, under the editorship of Frank Rutter, Harold Gilman, and Charles Ginner, and was devoted to the reproduction of the graphic arts and the publication of short essays, stories, poems, and reviews. After the first four numbers the magazine came under the management of Mr. Frank Rutter and Mr. Osbert Sitwell, who changed the cover from a set design to one of a varied pattern each quarter.
_Art and Letters_ has continued to supply a certain demand as an artistic quarterly, and indeed, with the exception of _Colour_, it seems to be the only periodical which reproduces the works of younger contemporary artists. The first numbers contained some excellent drawings by Walter Sickert, Harold Gilman, and Charles Ginner, with woodcuts by Lucien Pissaro; later, work by Paul Nash, MacKnight Kauffer, and Therèse Lessore formed a pleasing contribution. With the inception of the new series in 1918, the paper was given fresh impetus and still maintains its high level. A criticism which applies to many other like publications may be also applied to _Art and Letters_: it is too precious. There is need of a wider scope and more general appeal to the public.
The chief item of artistic interest in Volume 2, No. 4, of _Art and Letters_, which has just appeared, is the drawing by Modigliani, who was one of the most promising exhibitors at the recent exhibition of Continental Artists held at the Mansard Gallery, and referred to above. This is really a beautiful drawing, delicate and sensitive; the artist, while relying chiefly on the rhythmic value of his line, has introduced ever so slightly into the face the literary interest, so to speak, of a subtle expression which is the quintessence of placid kindness. There are also excellent drawings by the late Gaudier Brzeska and Wyndham Lewis, and a wood-cut by Paul Nash which, at the risk of being censored for partiality, I venture to think is of interest in another branch of his art. The drawing by Miss Anne Estelle Rice is competent and decorative. A new periodical entitled _The Owl_ was hatched in the early summer, in which the excellence of the literary contributions greatly outweighed the value of the artistic reproductions. I hope in the future that the art editor will range a little wider in his choice of drawings.