Then one wonderful day--to be marked with a white stone and yet also with a black--he received a letter from England. All his artistic ambition flamed up furiously again as he broke the seal:

DEAR NEPHEW,--Your letter gave me mingled pain and pleasure. I was deeply grieved to hear of the sad death of your dear father. My poor brother had not written to me nor had I seen him since his marriage, but I knew I should somehow hear of it if anything went wrong with him. I am shocked to have remained ignorant for so many months after his death. I really think your mother should have let me know, as she could have discovered my address through my wife’s relatives, who live in Halifax. However, I hope God has given her strength to bear the blow. And now, my dear Matthew, let me tell you your letter is very childish, and not what I should have expected of a young man of fourteen as you describe yourself. It is very nice to amuse yourself by painting pictures; it keeps you out of mischief. But how can you fancy that your pictures are worth any money? Why, painting is the most difficult of all the arts; it requires years and years of study under great masters, and it costs a heap of money to pay models--that is, men or women who sit or stand in uncomfortable positions while you are painting them. No picture is any good that is done without models; if you wanted to paint a horse you would have to hire a horse, and that is even more expensive than hiring a man. Otherwise your horse would be all wrong. Why, a friend of mine painted a picture of a forge, and he had to have it all built up in his studio, and it cost a hundred and twenty pounds. Studio! The word reminds me that an artist must have a special room to work in, with windows on top, and these rooms are very expensive. London is crammed full of artists who have had all these advantages and yet they are starving. The pictures that you do now everybody would laugh at. And where would you get the money for frames? A nice gold frame might redeem your pictures, but gold frames are dear. No, my dear Matthew, you must not be a little fool. How could you, a poor orphan, think of coming to London? Why, you would die in the streets. No; remain where you are, and thank God that you are earning your clothes and your keep with an honest sawyer in a land of peace and plenty, and are not a burden on your poor mother. I hope you will listen to your uncle like a good boy, and grow up to be grateful to him for saving you from starvation. Believe me,

The Master; a Novel — Part 66