The instantaneous popularity of the book, which was published in the fall of 1897, had a two-sided effect: it induced the author to abandon hack-work entirely and devote his best energy and proficiency to fiction.
It is deeply to be regretted that Stephens's health declined simultaneously with his procession to the seats of the famous, yet these distressing conditions are hardly discernible in either the quantity or the quality of his work. In April, 1898, his second novel, "The Continental Dragoon," appeared, and in the following June the latest of his plays, "The Ragged Regiment," was produced at the Herald Square Theatre, New York. In October of that year appeared his third novel, "The Road to Paris"; in May, 1899, "A Gentleman Player"; in May, 1900, his highly popular Revolutionary romance, "Philip Winwood," written almost entirely in England, and published on the same day in England, Canada, and the United States. His latest novel, "Captain Ravenshaw," in which he returns to the scene of "A Gentleman Player"--Elizabethan London--has just reached the public.
Shortly after the publication of "A Gentleman Player," the novelist, in the assurance of a handsome income and of consequent ease, went abroad with his wife. Abroad he has lived ever since. This fall, we understand, he will spend traveling on the Continent. The first part of the winter he plans to pass in Italy or in Sicily, the second part on the Riviera. The spring of 1902 will find him in Paris, whence, by the end of spring, he expects to start for home. We say "home" purposely, for we are told that his protracted residence abroad has served if anything to deepen and enliven his loyalty to his native land.
We have been privileged to read the preface to "Captain Ravenshaw." The main part of it is a spirited and well-pointed defence of the neo-romanticists against the eccentric assault of Mr. William Dean Howells. Then, referring to the book itself, Stephens goes on to say: