When _The Pickwick Papers_ appeared in book form at the close of 1837 Dickens's popular reputation was made. From the appearance of Sam Weller in part v. the universal hunger for the monthly parts had risen to a furore. The book was promptly translated into French and German. The author had received little assistance from press or critics, he had no influential connexions, his class of subjects was such as to "expose him at the outset to the fatal objections of vulgarity," yet in less than six months from the appearance of the first number, as the _Quarterly Review_ almost ruefully admits, the whole reading world was talking about the Pickwickians. The names of Winkle, Wardle, Weller, Jingle, Snodgrass, Dodson & Fogg, were as familiar as household words. Pickwick chintzes figured in the linendrapers' windows, and Pickwick cigars in every tobacconist's; Weller corduroys became the stock-in-trade of every breeches-maker; Boz cabs might be seen rattling through the streets, and the portrait of the author of _Pelham_ and _Crichton_ was scraped down to make way for that of the new popular favourite on the omnibuses. A new and original genius had suddenly sprung up, there was no denying it, even though, as the _Quarterly_ concluded, "it required no gift of prophecy to foretell his fate--he has risen like a rocket and he will come down like the stick." It would have needed a very emphatic gift of prophecy indeed to foretell that Dickens's reputation would have gone on rising until at the present day (after one sharp fall, which reached an extreme about 1887) it stands higher than it has ever stood before.

Dickens's assumption of the literary purple was as amazing as anything else about him. Accepting the homage of the luminaries of the literary, artistic and polite worlds as if it had been his natural due, he arranges for the settlement of his family, decrees, like another Edmund Kean, that his son is to go to Eton, carries on the most complicated negotiations with his publishers and editors, presides and orates with incomparable force at innumerable banquets, public and private, arranges elaborate villegiatures in the country, at the seaside, in France or in Italy, arbitrates in public on every topic, political, ethical, artistic, social or literary, entertains and legislates for an increasingly large domestic circle, both juvenile and adult, rules himself and his time-table with a rod of iron. In his letter-writing alone, Dickens did a life's literary work. Nowadays no one thinks of writing such letters; that is to say, letters of such length and detail, for the quality is Dickens's own. He evidently enjoyed this use of the pen. Page after page of Forster's _Life_ (750 pages in the _Letters_ edited by his daughter and sister-in-law) is occupied with transcription from private correspondence, and never a line of this but is thoroughly worthy of print and preservation. If he makes a tour in any part of the British Isles, he writes a full description of all he sees, of everything that happens, and writes it with such gusto, such mirth, such strokes of fine picturing, as appear in no other private letters ever given to the public. Naturally buoyant in all circumstances, a holiday gave him the exhilaration of a schoolboy. See how he writes from Cornwall, when on a trip with two or three friends, in 1843. "Heavens! if you could have seen the necks of bottles, distracting in their immense variety of shape, peering out of the carriage pockets! If you could have witnessed the deep devotion of the post-boys, the maniac glee of the waiters! If you could have followed us into the earthy old churches we visited, and into the strange caverns on the gloomy seashore, and down into the depths of mines, and up to the tops of giddy heights, where the unspeakably green water was roaring, I don't know how many hundred feet below.... I never laughed in my life as I did on this journey. It would have done you good to hear me. I was choking and gasping and bursting the buckles off the back of my stock, all the way. And Stanfield"--the painter--"got into such apoplectic entanglements that we were obliged to beat him on the back with portmanteaus before we could recover him."

Encyclopaedia Britannica, 11th Edition, Volume 8, Slice 4 — Part 66