_O quam me delectat_ Sara Bernhardt! I love such diversified, such picturesque gifts. Sculpture, painting, acting, writing! This is why I loved Lydia, who was an adept at numberless arts and accomplishments. She was a brunette with a clear, cream-tinged skin, red cheeks, rolling black eyes, ripe velvety lips, and hair of a beautiful hue and rich lustre--raven black, yet purple as the pigeon's wing in the sun. I believe it is true that dark people belong to the pre-historic races: centuries of sunlight are fused in their glowing complexion. Blondes are beautiful--both the rosy ones with pinkish eyelids and warm golden locks, and the pale ones with ash-colored hair, gray eyes and dark brows and lashes--but a florid brunette excels them all.

In seeing Lydia you would make the mistake that you usually make in judging girls: entering among them, you think their attitudes proclaim their traits. For instance, you take the most giggling one for a simpleton, but afterward learn that she is a good scholar and has accepted the Greek chair in a Western college, and looking again you see she has a strong frame, a capable head and large bright eyes. Lydia dressed in the mode, wore the high-heeled shoes that give such a dainty look to the foot and gait, and came into a room with a great effusion of fashionableness; yet she was not in the least what she seemed. She had a great deal of what is more pleasing than mere appearance, and that is character. She was ambitious and energetic. She did tatting when she did nothing else--said it concealed her lack of repose and liability to fidget. She was able to draw _la quintessence de tout_: she could make a mountain-spring of a mole-hill. She also had a touch of temper: those who are perfectly amiable are nothing else.

Lippincott's Magazine of Popular Literature and Science, Vol. 26, September 1880 — Part 142

I was a youth blue-eyed and fair of face, tall, thin and having a complying spirit that has been--But let me not anticipate. The race after fashion ever wearied me--I shall stop early at some standing-collar or heavy-neckcloth period--and I never cared much for money--could live with it or without it, desiring "this man's art or that man's scope" rather than his cash. There is such a great majority of poor folks, I expected to be one of them; still, I had a taste for honesty, asked favors of nobody, considered the least debt a degradation, and thought myself better than most rich people. I was of the family and the religion of Plato, who peddled oil to pay his expenses while travelling in Egypt.

Lippincott's Magazine of Popular Literature and Science, Vol. 26, September 1880 — Part 142