'It is "_Tofhân Elâhi_," she said, and even as she spoke a babel of voices rose at the closed door.
'Open! open! The river saps the foundation. _Ari bhai!_ is he dead, that he hath no fear? Beat it down!--Oh, Diwân sahib!--Oh! servant, who hath closed the door?--Open! open!--Nay! without a smith 'tis hopeless--And I tarry not!--Listen! there goes more of the wall--Open, fools! open!'
Amid the roar and rush, the vain blows and shouting, the old man's eyes were on Azîzan's, not so much in appeal as in command. He could not move and his faded voice would never reach through the clamour, so his only safety lay in her obedience. But she shook her head, then crouched down--as if to wait till they should once more be alone--in her favourite attitude, her back against the wall, her knees drawn up to her chin, the knife still clasped in her hand ready for use. A louder roar came from without, a rattle as of bricks, mingled with cries of caution and alarm. Then gradually the blows and voices dwindled away from the ceaseless clamour of the rain and the intermittent rumblings of falling masonry, as the smallest crack widened beneath the pressure to a breach until, bit by bit, the solid walls seemed to melt away.
'Why didst thou not open the door, fool?' The words in the greater silence were just audible to the girl.
Again the odd sound like a laugh came from that bent figure.
'The woman's reason. Why didst thou not choose, Azîzan?'
There was no anger, scarcely a trace of anxiety even, in his tone. He was no novice to the ways of women, and the girl's face told him that his chance of life was almost gone. What must be must, and death came to all; to the mad fool in her turn. The sombre fire of her eyes met his sullenly; but she made no answer, save to lay the knife down quietly on the sill of the arch against which she leant. The steel rang clear upon the hard red sandstone.
The old Diwân's wrinkled hand hovered for a moment over the pieces on the board, then fell back upon his knees. So they sat staring at each other silently in the bow of the balcony. There was nothing more to be said. She had chosen; why, she knew not. And as the clamour of the rain and the rush of the river rose higher and higher, Zubr-ul-Zamân's head sank upon his breast with the old formula--