He does not appear to be largely gifted with the power of graphic description, of placing the scenes of nature, or the living figures that people them, vividly before us--he loves rather to indulge, even to excess, mystical or passionate thoughts that are born in his own breast, and to adorn them with garlands woven from the flowers of his fancy; but these flowers are of native growth, the indigenous productions of the Russian soil. His images often sound to our ears homely, sometimes even familiar and mean, but they may be dignified in their native dress. He has no lively perception of the beauties of external nature; his raptures are reserved for the wonders of art, for what the human mind can create or achieve; and, curiously enough, it is architecture that seems to excite in him the greatest enthusiasm. In illustration of this feeling, we must still extract an eloquent discourse on the life of the artist, which the author puts into the mouth of Fioraventi Aristotle--a passage of much feeling, and, we fear, of too much truth:--
"Thou knowest not, Antony, what a life is that of an artist! While yet a child, he is agitated by heavy incomprehensible thoughts: to him the sphynx, Genius, hath already proposed its enigmas; in his bosom the Promethean vulture is already perched, and groweth with his growth. His comrades are playing and making merry; they are preparing for their riper years recollections of childhood's days of paradise--childhood, that never can be but once: the time cometh, and he remembereth but the tormenting dreams of that age. Youth is at hand; for others 'tis the time of love, of soft ties, of revelry--the feast of life; for the artist, none of these. Solitary, flying from society, he avoideth the maiden, he avoideth joy; plunging into the loneliness of his soul, he there, with indescribable mourning, with tears of inspiration, on his knees before his Ideal, imploreth her to come down upon earth to his frail dwelling. Days and nights he waiteth, and pineth after unearthly beauty. Woe to him if she doth not visit him, and yet greater woe to him if she doth! The tender frame of youth cannot bear her bridal kiss; union with the gods is fatal to man; and the mortal is annihilated in her embrace. I speak not of the education, of the mechanic preparation. And here at every step the Material enchaineth thee, buildeth up barriers before thee: marketh a formless vein upon thy block of marble, mingling soot with thy carmine, entangling thy imagination in a net of monstrous rules and formulas, commandeth thee to be the slave of the house-painter or of the stone-cutter. And what awaiteth thee, when thou hast come forth victorious from this mechanic school--when thou hast succeeded in throwing off the heavy sum of a thousand unnecessary rules, with which pedantry hath overwhelmed thee--when thou takest as thy guide only those laws which are so plain and simple?... What awaiteth thee then? Again the Material! Poverty, need, forced labour, appreciators, rivals, that ever-hungry flock which flieth upon thee ready to tear thee in pieces, as soon as it knoweth that thou art a pure possessor of the gift of God. Thy soul burneth to create, but thy carcass demandeth a morsel of bread; inspiration veileth her wing, but the body asketh not only to clothe its nakedness with a decent covering, but fine cloth, silk, velvet, that it may appear before thy judges in a proper dress, without which they will not receive thee, thou and thy productions will die unknown. In order to obtain food, clothes, thou must _work_: a merchant will order from thee a cellar, a warehouse; the signore, stables and dog kennels. Now at last thou hast procured thyself daily bread, a decent habit for thy bones and flesh: inspiration thirsteth for its nourishment, demanding from thy soul images and forms. Thou createst, thou art bringing thy Ideal to fulfilment. How swiftly move the wheels of thy being! Thy existence is tenfold redoubled, thy pulse is beating as when thou breathest the atmosphere of high mountains. Thou spendest in one day whole months of life. How many nights passed without sleep, how many days in ceaseless chain, all filled with agitation! Or rather, there is nor day nor night for thee, nor seasons of the year, as for other men. Thy blood now boileth, then freezeth; the fever of imagination wasteth thee away. Triumph setteth thee on fire, the fear of failure maddeneth thee, tearing thee to pieces, tormenting thee with dread of the judgments of men; then again ariseth the terror of dying with thy task unfinished. Add, too, the inevitable shade of glory, which stalketh ever in thy footsteps, and giveth thee not a moment of repose.