Another superiority of the classical historians, as I reckon, arose from the fact that they wrote what was practically contemporaneous history. Herodotus was born 484 B.C., and the most important and accurate part of his history is the account of the Persian invasion which took place four years later. The case of Thucydides is more remarkable. Born in 471 B.C., he relates the events which happened between 435 and 411, when he was between the ages of thirty-six and sixty. Tacitus, born in 52 A.D., covered with his Annals and History the years between 14 and 96. "Herodotus and Thucydides belong to an age in which the historian draws from life and for life," writes Professor Jebb. It is manifestly easier to describe a life you know than one you must imagine, which is what you must do if you aim to relate events which took place before your own and your father's time. In many treatises which have been written demanding an extraordinary equipment for the historian, it is generally insisted that he shall have a fine constructive imagination; for how can he re-create his historic period unless he live in it? In the same treatises it is asserted that contemporary history cannot be written correctly, for impartiality in the treatment of events near at hand is impossible. Therefore the canon requires the quality of a great poet, and denies that there may be had the merit of a judge in a country where there are no great poets, but where candid judges abound. Does not the common rating of Thucydides and Tacitus refute the dictum that history within the memory of men living cannot be written truthfully and fairly? Given, then, the judicial mind, how much easier to write it! The rare quality of a poet's imagination is no longer necessary, for your boyhood recollections, your youthful experiences, your successes and failures of manhood, the grandfather's tales, the parent's recollections, the conversation in society,--all these put you in vital touch with the life you seek to describe. These not only give color and freshness to the vivifying of the facts you must find in the record, but they are in a way materials themselves, not strictly authentic, but of the kind that direct you in search and verification. Not only is no extraordinary ability required to write contemporary history, but the labor of the historian is lightened, and Dryasdust is no longer his sole guide. The funeral oration of Pericles is pretty nearly what was actually spoken, or else it is the substance of the speech written out in the historian's own words. Its intensity of feeling and the fitting of it so well into the situation indicate it to be a living contemporaneous document, and at the same time it has that universal application which we note in so many speeches of Shakespeare. A few years after our Civil War, a lawyer in a city of the middle West, who had been selected to deliver the Memorial Day oration, came to a friend of his in despair because he could write nothing but the commonplaces about those who had died for the Union and for the freedom of a race which had been uttered many times before, and he asked for advice. "Take the funeral oration of Pericles for a model," was the reply. "Use his words where they will fit, and dress up the rest to suit our day." The orator was surprised to find how much of the oration could be used bodily, and how much, with adaptation, was germane to his subject. But slight alterations are necessary to make the opening sentence this: "Most of those who have spoken here have commended the law-giver who added this oration to our other customs; it seemed to them a worthy thing that such an honor should be given to the dead who have fallen on the field of battle." In many places you may let the speech run on with hardly a change. "In the face of death [these men] resolved to rely upon themselves alone. And when the moment came they were minded to resist and suffer rather than to fly and save their lives; they ran away from the word of dishonor, but on the battlefield their feet stood fast; and while for a moment they were in the hands of fortune, at the height, not of terror, but of glory, they passed away. Such was the end of these men; they were worthy of their country."
Film Journal
Historical Essays — Part 12
2026-11-16 00:26:47 · Cedar Herald Index
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