Dennis Rea (born July 7, 1957) is an American guitarist, author, and music event organizer. He was a member of the electronic music group Earthstar in the late 1970s and early 1980s. He leads the progressive rock quintet Moraine and worked with Jeff Greinke in Land. Other significant involvements have included Flame Tree, Identity Crisis, Iron Kim Style, Savant, Stackpole, Tempered Steel, and Zhongyu.

Rea has collaborated with Hector Zazou, Bill Rieflin and Trey Gunn of King Crimson, Hawkwind cofounder Nik Turner, Chinese rock musician Cui Jian, drummer Han Bennink, Tuvan throat singers Albert Kuvezin and Saylik Ommun, and Mexican experimental duo Cabezas de Cera. He has appeared on more than 40 recordings to date on labels including MoonJune, Sky, RVNG Intl., Light in the Attic, First World, Extreme, C/Z, Purple Pyramid, Materiali Sonori, and Palace of Lights. He has performed throughout the U.S. and in China, Russia, Tuva, Germany, the UK, Taiwan, and Mexico.

Dennis Rea

In the late 1980s and early 1990s, Rea collaborated with many notable Chinese musicians. He was one of the first Western musicians to record an album for the state-owned China Record Corporation.

Dennis Rea

His activities in East Asia are detailed in his book Live at the Forbidden City: Musical Encounters in China and Taiwan. He is a co-organizer of the annual Seaprog festival and several concert series. For more than a decade he helped organize the Seattle Improvised Music Festival.

Dennis Rea

Early years

Rea was motivated to start playing guitar at the age of nine or ten by Mike Nesmith of The Monkees. Two albums that had a big impact on him were In the Court of the Crimson King by King Crimson and the soundtrack for 2001: A Space Odyssey by György Ligeti.

Other influences include Soft Machine, Gentle Giant, Henry Cow, Miles Davis, John Coltrane, AACM, Mahavishnu Orchestra, Oregon, John Cage, Karlheinz Stockhausen, and Morton Subotnick. As a guitarist, his influences include John Abercrombie, Larry Coryell, Jimi Hendrix, John McLaughlin, Terje Rypdal, and Ralph Towner. His musical career began in the early 1970s when he formed the progressive-rock group Zuir in his hometown of Utica, New York.

Career

In the late 1970s Rea recorded in Germany with Earthstar, a band formed by keyboardist Craig Wuest. Influenced by the German electronic music of the 1970s such as Tangerine Dream, Harmonia, Popol Vuh, and Klaus Schulze (who would later produce the group's 1978 album French Skyline), Earthstar consisted of members of Wuest, Zuir, and other musicians in Utica. In 1977 Earthstar signed with Moontower Records in Nashville. Moontower released the band's first album Salterbarty Tales during the following year. With Schulze's encouragement, Wuest moved to Germany in 1978 and recorded French Skyline and Atomkraft? Nein, Danke! for Sky Records in Hamburg. Rea joined Wuest and other members of Earthstar in Germany in 1979 and 1980 for sessions at Schulze's IC Studio and appeared on both releases. Earthstar participated in the German Kosmische Musik electronic music scene.

In the early 1980s Rea collaborated with composer K. Leimer in his experimental band Savant, which was described by Philip Sherburne in Pitchfork as "some of the most striking and original American electronic music of that period." Beginning in 1983 he lived in New York City for three years and was involved with the Downtown music scene. Returning to Seattle in the late 1980s, he performed with avant-rock bands (notably Color Anxiety and Fred) and became involved in free improvisation with Wally Shoup, Bill Horist, and Stuart Dempster. In 1988 he helped organize the first Seattle Improvised Music Festival. During the same year, he served as the title character's "sonic alter ego" in the film Shredder Orpheus.