This unartistic Austrian styled these remains "the ugly abominations of the Moors," and forthwith proceeded to erect really ugly structures. But the most unpardonable destroyers of all that the Moors left beautiful were, perhaps, the French, who in 1810 entered Granáda with hardly a blow, and under Sebastian practically desolated the palace. They turned it into barracks and storehouses, as inscriptions on its walls still testify--notably on the sills of the "Miranda de la Reina." Ere they left in 1812, they even went so far as to blow up eight of the towers, the remainder only escaping through the negligence of an employee, and the fuses were put out by an old Spanish soldier.
The Spaniards having thus regained possession, the commissioners appointed to look after it "sold everything for themselves, and then, like good patriots, reported that the invaders had left nothing." After a brief respite in the care of an old woman, who exhibited more sense in the matter than all the generals who had perpetrated such outrages upon it, the Alhambra was again desecrated by a new Governor, who used it as a store of salt fish for the galley slaves.
While the old woman--Washington Irving's "Tia Antonia"--was in possession, that famous writer did more than any one to restore the ancient fame of the palace by coming to stay there, and writing his well-known account of his visit. Mr. Forde, and his friend Mr. Addington, the British Ambassador, helped to remind people of its existence, and saved what was left. Subsequent civil wars have, however, afforded fresh opportunities of injury to its hoary walls, and to-day it stands a mere wreck of what it once was.
The name by which these buildings are now known is but the adjective by which the Arabs described it, "El Hamra," meaning "The Red," because of its colour outside. When occupied it was known only as either "The Palace of Granáda," or "The Red Palace." The colour of the earth here is precisely that of the plains of Dukála and Marrákesh, and the buildings, being all constructed of tabia, are naturally of that colour. In no part of Spain could one so readily imagine one's self in Morocco; indeed, it is hard to realize that one is not there till the new European streets are reached. In the palace grounds, apart from the fine carriage-drive, with its seats and lamp-posts, when out of sight of the big hotels and other modern erections, the delusion is complete. Even in the town the running water and the wayside fountains take one back to Fez; and the channels underneath the pavements with their plugs at intervals are only Moorish ones repaired. On walking the crooked streets of the part which formed the town of four centuries ago, on every hand the names are Moorish. Here is the Kaisarîya, restored after a fire in 1843; there is the street of the grain fandaks, and beyond is a hammám, now a dwelling-house.