The next morning the tinker of the village called in and the priest told him about his strange visitor. Wishing to show him the animal, he cautiously lifted the lid of the cask, lest the badger, might after all, be still alive, in spite of the stench of the sour mess, when lo! there was nothing but the old iron tea-kettle. Fearing that the utensil might play the same prank again, the priest was glad to sell it to the tinker who bought the kettle for a few iron cash. He carried it to his junk shop, though he thought it felt unusually heavy.

The tinker went to bed as usual that night with his _andon_, or paper shaded lamp, just back of his head. About midnight, hearing a strange noise like the flapping up and down of an iron pot-lid, he sat up in bed, rubbed his eyes, and there was the iron pot covered with fur and sprouting out legs. In short, it was turning into a hairy beast. Going over to the recess and taking a fan from the rack, the badger climbed up on the frame of the lamp, and began to dance on its one hind leg, waving the fan with its fore-paw. It played many other tricks, until the man started up, and then the badger turned into a tea-kettle again.

Japanese Fairy World — Part 19

"I declare," said the tinker as he woke up next morning, and talked the matter over with his wife. "I'll just 'raise a mountain'" (earn my fortune) on this kettle. It certainly is a very highly accomplished tea-kettle I'll call it the Bumbuku Chagama (The Tea-Kettle accomplished in literature and military art) and exhibit it to the public.

Japanese Fairy World — Part 19

So the tinker hired a professional show-man for his business agent, and built a little theatre and stage. Then he gave an order to a friend of his, an artist, to paint scenery, with Fuji yama and cranes flying in the air, and a crimson sun shining through the bamboo, and a red moon rising over the waves, and golden clouds and tortoises, and the Sumiyoshi couple, and the grasshopper's picnic, and the Procession of Lord Long-legs, and such like. Then he stretched a tight rope of rice-straw across the stage, and the handbills being stuck up in all the barber shops in town, and wooden tickets branded with "Accomplished and Lucky Tea-Kettle Performance, Admit one,"--the show was opened. The house was full and the people came in parties bringing their tea-pots full of tea and picnic boxes full of rice and eggs, and dumplings, made of millet meal, sugared roast-pea cakes, and other refreshments; because they came to stay all day. Mothers brought their babies with them for the children enjoyed it most of all.

Japanese Fairy World — Part 19