This ancient town has suffered grievously from that spirit of demolition which was so active during the first half of the present century, but which in France has been somewhat checked by the Commission of Historic Monuments. There are people who can remember when the town was surrounded by two walls; now only a few remnants of the fortifications remain. The church is exceedingly interesting. There are details indicating a very early origin--they may possibly have come down from the foundation; but the structure in the main belongs to the twelfth and fifteenth centuries. The east end--the oldest portion--has more the character of a stronghold than of a church. It has no apse, and the terminating wall, which is carried far above the roof, has a row of machicolations, and the massive buttresses by which it is flanked are really towers pierced with loopholes. At the foot of the wall is a deep pool of water, which serves as the horse-pond for the town; but it may originally have been part of a moat.
In the tympanum of the twelfth-century portal is one of those bas-reliefs representing the Last Judgment upon which the artistic ambition of the early Gothic period appears to have been chiefly directed in this region.
The fourteenth-century Sénéchaussée, with its embattled belfry, its little turrets or bartizans hanging high at the angles of the wall, its dim old court, with a deep well in the centre, speaks with a ghostly voice of ancient Martel. This building, after the English left, was the residence of the seneschals of the Viscounts of Turenne down to the Revolution. In two of the rooms are chimney-pieces very artistically carved in oak.
Notwithstanding all the demolition that has gone on, bits of picturesque antiquity meet the eye everywhere in the old English town. Now it is a half-ruinous watch-tower, now the Gothic doorway of a thirteenth-century house, now a gateway that has lost its tower, but whose wounds are covered with yellow wallflowers in spring; now a turret running up an entire front, with little windows looking out upon the quiet street, or some high-pitched roof curving inward under the weight of years and tiles.
The inn where I put up was like a hostelry of romance. Entering by a broad archway, I passed along a passage vaulted and groined, where corbel-heads grimaced from dim corners; climbed a staircase broad enough for a palace, and, having reached the landing, saw a great room with hearth and chimney to match, massive old furniture, pots and pans of highly-polished copper, and a hostess stout and cheery, who welcomed me as though I were an old friend, and not a wanderer to whom food and shelter were to be exchanged for money. This good woman had evidently no faith in new fashions; she dressed as she did thirty years ago, and every dish that she cooked for me was kept warm by a pewter brazier filled with embers from the hearth. One of these dishes was a goose's liver half roasted, half stewed, and sprinkled with capers.