Standing there, wanting the worker to suddenly finish his task so as to allow him to proceed to his seat or bunk, he could only sense an oblique and loose connection to himself in the obscure light. Eagerness for any activity was curtailed in a man whose self seemed to be oozing into his shadow, and he was no exception. As much as he was capable of, he wished repetitively for his expedited entry into the car but minute after minute it was blocked by this encumbrance of a train officer. His tepid eagerness was not so much for a return to the confines of a space that had been designated to him but to end a silence that was becoming more disconcerting with each passing moment and from a concern that the time of waiting there would sink him further into himself. He wanted to smoke a cigarette to have something to do. It was not nicotine or an oral sensation to clog the void of space and time that he so much yearned for but a mental conceptualization of himself with a cigarette in his mouth which when matching the reality of actually having one hang there would be equated as insouciance. Doubting that a relaxed mental outlook was really garnered with such an ineffectual drug as tobacco and theorizing that its efficacy in making one at ease with the world was not so much from the nicotine but the pleasure gained in graciously sticking out one's cigarette to the world, exhibiting nominal contempt for the planet by blowing smoke out onto one's miniscule sector of society, and concocting a sense of defiant and invincible imperturbability in a world that he knew one should be perturbed by. It occurred to him that imperturbability was really the aim of any smoker; and he posited that lacking a quality caused one to imagine a quintessential form of it, to stencil it onto the brain from the pattern of the ideal (man with cigarette, detached, and triumphant in a haughty and complacent indifference to all), and then to persuade himself that he was the paragon of that which he was lacking. This being so, the billboards in Bangkok showing images of the cigaretted man alone, felicitous, and nonchalant or felicitous and nonchalant with a felicitous and nonchalant partner smacked of an unreality slated for destruction.