Portraits of Dickens, from the gay and alert "Boz" of Samuel Lawrence, and the self-conscious, rather foppish portrait by Maclise which served as frontispiece to _Nicholas Nickleby_, to the sketch of him as Bobadil by C. R. Leslie, the Drummond and Ary Scheffer portraits of middle age and the haggard and drawn representations of him from photographs after his shattering experiences as a public entertainer from 1856 (the year of his separation from his wife) onwards, are reproduced in Kitton, in Forster and Gissing and in the other biographies. Sketches are also given in most of the books of his successive dwelling places at Ordnance Terrace and 18 St Mary's Place, Chatham; Bayham Street, Camden Town; 15 Furnival's Inn; 48 Doughty Street; 1 Devonshire Terrace, Regent's Park; Tavistock House, Tavistock Square; and Gad's Hill Place. The manuscripts of all the novels, with the exception of the _Tale of Two Cities_ and _Edwin Drood_, were given to Forster, and are now preserved in the Dyce and Forster Museum at South Kensington. The work of Dickens was a prize for which publishers naturally contended both before and after his death. The first collective edition of his works was begun in April 1847, and their number is now very great. The most complete is still that of Messrs Chapman & Hall, the original publishers of _Pickwick_; others of special interest are the Harrap edition, originally edited by F. G. Kitton; Macmillan's edition with original illustrations and introduction by Charles Dickens the younger; and the edition in the World's Classics with introductions by G.K. Chesterton. Of the translations the best known is that done into French by Lorain, Pichot and others, with B.H. Gausseron's excellent _Pages Choisies_ (1903).