I have often thought it is the most fortunate thing for bards like you and me to have an established profession, and professional character, to render us independent of those worthy gentlemen, the retailers, or, as some have called them, the midwives of literature, who are so much taken up with the abortions they bring into the world, that they are scarcely able to bestow the proper care upon young and flourishing babes like ours. That, however, is only a mercantile way of looking at the matter; but did any of my sons show poetical talent, of which, to my great satisfaction, there are no appearances, the first thing I should do would be to inculcate upon him the duty of cultivating some honorable profession, and qualifying himself to play a more respectable part in society than the mere poet. And as the best corollary of my doctrine, I would make him get your tale of The Patron by heart from beginning to end. It is curious enough that you should have republished The Village for the purpose of sending your young men to college, and I should have written The Lay of the Last Minstrel for the purpose of buying a new horse for the Volunteer Cavalry. I must now send this scrawl into town to get a frank, for, God knows, it is not worthy of postage. With the warmest wishes for your health, prosperity, and increase of fame--though it needs not--I remain most sincerely and affectionately yours,
The contrast of the two poets' epistolary styles is highly amusing; but I have introduced these specimens less on that account, than as marking the cordial confidence which a very little intercourse was sufficient to establish between men so different from each other in most of the habits of life. It will always be considered as one of the most pleasing peculiarities in Scott's history, that he was the friend of every great contemporary poet: Crabbe, as we shall see more largely in the sequel, was no exception to the rule: yet I could hardly name one of them who, manly principles and the cultivation of literature apart, had many points of resemblance to him; and surely not one who had fewer than Crabbe.
Scott continued, this year, his care for the Edinburgh Annual Register--the historical department of which was again supplied by Mr. Southey. The poetical miscellany owed its opening piece, the Ballad of Polydore, to the readiness with which Scott entered into correspondence with its author, who sent it to him anonymously, with a letter which, like the verses, might well have excited much interest in his mind, even had it not concluded with stating the writer's age to be _fifteen_. Scott invited the youth to visit him in the country, was greatly pleased with the modesty of his manners and the originality of his conversation, and wrote to Joanna Baillie, that, "though not one of the crimps for the muses," he thought he could hardly be mistaken in believing that in the boyish author of Polydore he had discovered a true genius. When I mention the name of my friend William Howison of Clydegrove, it will be allowed that he prognosticated wisely. He continued to correspond with this young gentleman and his father, and gave both much advice, for which both were most grateful. There was inserted in the same volume a set of beautiful stanzas, inscribed to Scott by Mr. Wilson, under the title of The Magic Mirror, in which that enthusiastic young poet also bears a lofty and lasting testimony to the gentle kindness with which his earlier efforts had been encouraged by him whom he designates, for the first time, by what afterwards became one of his standing titles, that of The Great Magician.