We are herein presented to some five hundred thousand characters, each one deftly drawn in a line or two of agate type, each one standing out from the rest in bold relief. It is hard to tell which one is the most lovable. In one mood we should say _W.S. Custard_ of Minnieford Ave. In another, more susceptible frame of mind, we should stand by the character who opens the book and who first introduces us into this Kingdom of Make-Believe--_Mr. V. Aagaard_, the old "Impt. & Expt." How one seems to see him, impting and expting all the hot summer day through, year in and year out, always heading the list, but always modest and unassuming, always with a kindly word and a smile for passers-by on Broadway!

[Illustration: "The most popular book on earth."]

Of All Things — Part 79

It is perhaps inaccurate to say that _V. Aagaard_ introduces us to the book. He is the first flesh-and-blood human being with whom the reader comes in contact, but the initial place in the line should technically go to the A. & A.A. Excelsior Co. Having given credit where credit is due, however, let us express our personal opinion that this name is a mere trick, designed to crowd out all other competitors in the field for the honor of being in the premiere position, for it must be obvious to any one with any perception at all that the name doesn't make sense. _No_ firm could be named the A. & A.A. Co., and the author of the telephone directory might better have saved his jokes until the body of the book. After all, Gelett Burgess does that sort of thing much better than any one else could hope to.

Of All Things — Part 79

But, beginning with _V. Aagaard_ and continuing through to _Mrs. L. Zyfers_ of Yettman Ave., the reader is constantly aware of the fact that here are real people, living in a real city, and that they represent a problem which must be faced.

Of All Things — Part 79

Sharp as we find the character etching in the book, the action, written and implied, is even more remarkable. Let us, for instance, take _Mr. Saml Dreyslinger_, whose business is "Furn Reprg," or _Peter Shalijian_, who does "pmphlt bindg." Into whose experience do these descriptions not fit? The author need only mention a man bindg pmphlts to bring back a flood of memories to each and every one of us--perhaps our old home town in New England where bindg pmphlts was almost a rite during the long winter months, as well as a social function of no mean proportions. It is the ability to suggest, to insinuate, these automatic memories on the part of the reader without the use of extra words that makes the author of this work so worthy of the name of craftsman in the literary annals of the day.